Tag: media

Mosquitoes of the Internet

Stupid people have rights too and the Internet allows them to exercise those rights.

Sydney Morning Herald urban affairs columinst Elizabeth Farrelly recently fell foul of one the big fish that inhabits the shallow, stagnant intellectual pond that passes for Australia’s right wing intelligentsia.

As a result, Elizabeth found her personal blog infested with insulting comments from the Big Fish’s Internet followers.

What focused their ire was Elizabeth complaining about a delivery truck parked across a bike lane. A bit like this genius.

The funny thing with the righteous defence of the poor truck driver’s rights to privacy and blocking cycleways is where it the driveways to the gated communities for self-righteous and entitled self retirees that these commenters inhabit were blocked in a same way many of them would be reaching for the blood pressure pills.

One of the great things about the Internet is that it allows all of us to have our say without going through the gatekeepers of the newspaper letters editor or talkback radio producer.

The down side with this is that it gives everyone a voice, including the selfish and stupid – the useful idiots so adored by history’s demagogues.

Luckily today’s Australian demagogues aren’t too scary and the armies of useful idiots they can summon are more likely to rattle their zimmer frames than throwing Molotov cocktails or burning the shops of religious minorities.

Most of these people posting anonymous, spiteful and nasty comments are really just cowards. In previous times their ranting and bullying would be confined to their family or the local pub but today they have a global stage to spout their spite.

These people are the irritating mosquitoes of the web and they are the cost of having a free and vibrant online society.

It’s difficult to have a system where only nice people with reasonable views that we agree with can post online. All we can do is ignore the noisy idiot element as the irritations they are.

This is a problem too for businesses as these ratbags can post silly and offensive comments not just on your website but also on Facebook pages, web forums and other online channels.

Recently we’ve had a lot of talk about Internet trolls, notable in the discussion is how the mainstream media has missed the point of trolling – it’s about getting a reaction from the target. In that respect The Big Fish and his army of eager web monkeys have succeeded.

The good thing for Elizabeth is her page views will have gone through the roof. That’s the good side of having the web’s lunatic fringe descend upon your site.

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Driving agendas

Agenda driven journalism helps no-one in the long term

A feature of the new question and answer service Branch are “featured questions” highlighting popular or interesting conversations on the service.

One of those early featured conversations was a question from investor Michael Arrington, “when is it good for founders to leak stuff to the press?”

Strategic leaks have become the staple of most news services, time poor journalists are desperate for scoops and clicks which gives an opportunity for companies and governments to feed information that suits their agenda of the moment.

As the answers in the thread indicate, this style of reportage is very common in the Silicon Valley tech press. The greater fool business model of many web start ups require they get lots of media coverage in order to attract buyers.

That media coverage includes ‘leaking’ stories that one big company – a Google, Microsoft or Facebook – is interested in the business. This always creates credulous headlines on the tech media sites and one of these leaks prompted Arrington’s question.

Strategic leaking isn’t just a tech media phenomenon. Australian politics was paralysed at the beginning of the year when numerous stories that “un-named Labor Party sources” were plotting against the Prime Minister dominated the headlines for weeks. All of these were pointless leaks from various minor politicians try to push their agendas. Often to their long term detriment.

In the sports world the agendas often revolve around contract negotiations – remember this next time you read that a star player may be going to another team, almost certainly that story has been planted by that player’s agent in an attempt to increase his client’s value.

The same thing happens in the business, property and the vacuous entertainment, travel and dining pages.

Agenda driven journalism fails the reader and the writer, it also damages the publication as once readers start asking what the motivation is for a story, then the credibility of that outlet is failing.

Increasingly this is happening to all the mainstream publications.

Resisting the push to agenda driven journalism is tough as editorial resources are stripped from media organisations and as journalists come under more pressure to write stories that drive traffic.

One of the great assets of big media is trust in the masthead. A hundred years ago people took what was written in their city’s newspapers as truth, a few decades ago it was what was on the evening news. If Walter Cronkite or your city’s news anchor said it was true, then that was good enough for most people.

In the race for clicks, that trust has been abused and lost by all but the most dedicated fans. It’s probably the greatest loss of all for the established media giants.

For readers, the web and social media is their friend. They can check with their peers to see if a story stands up and if it doesn’t they can spread this across their networks.

Agenda driven journalism fuelled by pointless leaks helps no-one in the long term and it will probably kill many established mastheads. It’s another opportunity for smart entrepreneurs to disrupt a market that’s failing.

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Good critic, bad artist?

Are critics simply failed artists or do they have a more important role?

With the passing of art critic Robert Hughes I’m re-reading a passage of his autobiography, Things I Didn’t Know.

In Hughes’ passage describing his leaving Australia he talks of attempts at painting and makes an observation about art criticism that is true of every field.

“You do not have to be a good painter to be a good art critic,” he said. “But there is, to me, something a little suspect about an art critic who has never painted and who cannot claim to grasp even the rudiments of intelligent drawing.”

The same could be said of any critic – knowing the technicalities, skills, difficulties and effort enables a critic to make informed judgement. That isn’t to say they are superior at their trade than those they criticise.

It’s been said that we are all two bad decisions from ruining our lives or careers. That’s true in the artistic or professional fields – many managers, entrepreneurs, politicians, artists or just men going through middle aged crises have come unstuck from making the wrong choice at the wrong time.

It’s why we always have to view the stories of great success with caution, as the winners’ tales are tinged with survivor bias and for every winner there a field of skilled, hard working people who didn’t succeed.

In some fields, like arts and sport, the winners have to have skills before they will even get a chance of winning. Although there are many who could have be successful but weren’t because they never had an opportunity to pick up a paintbrush, guitar or ball at a key moment in their lives.

That isn’t quite so true in more subjective fields like business, politics or journalism. In those callings it is possible for a suburban apparatchik, dour accountant or talentless hack to rise because of their mentors, rat cunning or just pure dumb luck.

One of a critic’s roles is to call out those talentless but lucky hacks and in doing so they do society a great favour.

In a world where spin and PR often trump good policy or ethical behaviour, we have to pay attention to the informed critics who help us filter out the misinformation and lies that is part of our information diet.

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Saving Fairfax

First we sack the managers, then we find some decent editors

“The writer and art critic was one of the great ex-patriots of Australia and he put our country on the map.”

One typo illustrates all that is wrong with Australia’s two oldest newspapers, The Age and The Sydney Morning, who are both part of the Fairfax stable.

It’s particularly disappointing that one of the leading newspapers in the city of Hughes’ birth could have such a dumb typo, but adding to the insult is the paper’s underwhelming and disappointing coverage as compared to the New York Times, the paper of his adopted home town.

Hughes was one of many in his generation left Australia because of the lack of opportunity. Fellow expatriate (note the spelling) Clive James said he could have never have developed his writing skills without the sharp editing his copy was subjected to at London’s newspapers. That is as true today as it was in 1960.

Poor editing lies at the core of Fairfax’s problems, not just in silly typos but also with inappropriate stories like leading with a shop assistant’s Facebook profile or the hysterical regurgitation of spin doctor’s talking points.

This isn’t to pick on Roy Masters and Asher Moses, both are capable of great work — Asher’s Digital Dreamers series profiling Australian technology expatriates (that word again) was excellent work and when Roy doesn’t get sucked into the petty ego wars that dominate Sydney’s Rugby League community his sports writing can match the world’s best.

Both Roy and Asher, along with every other journalist at Fairfax, are let down by poor editors who don’t have the balls to tell them when work isn’t up to standard, let alone pick up dumb typos.

If Fairfax is to survive, it requires strong and good editors that are prepared to hold their writers accountable and back them when the going gets tough. Right now Fairfax lacks those leaders.

That lack of leadership extends throughout the organisation’s management and board. Fairfax’s management lacks people committed to delivering a great product or capable of grappling with the challenges of making online journalism pay.

Making online journalism pay is more than just having one-way Twitter accounts, plastering your site with ads or irritating your users with auto playing video clips. Web strategist Jim Stewart dissects how these tactics aren’t working for Fairfax.

Whoever figures out how to make money from online journalism will be the Randolph Hearst of the 21st Century, currently it’s safe to say there are no budding Hearsts or Murdochs among the comfortable ranks of Fairfax’s management.

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Hacking the hacks

Do journalists have the skills to ride the Big Data wave?

Hacks and Hackers is an informal global network of meetings discussing the intersection of technology and journalism. The inaugural Sydney Hacks and Hackers meetup recently looked at how journalists use data and showed the challenges the news media face in an age where information isn’t scarce.

The panel in Sydney were Sharona Coutts, Investigative Reporter at Global Mail; Edmund Tadros, Data Journalist at Australian Financial Review; and Courtney Hohne, Director of Communications Google Australia.

Courtney looked at some of the big data opportunities for journalists, a topic covered in the Closed Data Doors post. One of the areas she highlighted was emergency services sending out PDFs of updates during crises like bushfires and floods.

Listening to Sharona and Edmund, it was clear they were two overworked but keen young journalists who had neither the resources or the training to deal with the data flowing into their organisations.

Because journalists in modern media organisations don’t have the skills or the resources to properly understand and use raw data the public ends up with relatively trivial stories like league tables of school exam results or council building approvals – both of which are important, but are misread and used to confect outrage against incompetent public servants and duplicitous politicians.

For the public servant, school teacher or even bus driver it’s understandable they don’t want their performance measured if the measure is going to be misused and possibly jeopardize their jobs.

A deeper problem for journalism is the skills of the trade. Both Edmund and Sharona are smart young journos who will go far; but both admitted they had no training in statistic and mathematics.

Even more worrying are the older journalists, when I mentioned the lack of older and more experienced journalists to the organiser she said none would agree to come on the panel. One suspects this is because forty and fifty year old journalists have even fewer data skills than their young colleagues.

This lack of skills or understanding of data is probably one of the biggest challenges facing the media. In a world awash with data, the role of journalists is to filter the feed, interpret and explain it.

Pure reportage is being overwhelmed by the sheer quantity of news and information available; the 1980s model of opinion based journalism is also failing as the audience now realise they have a voice, and better informed opinions, than the experts and columnists.

One of the notable themes that seemed to jump out of the evening was the divide between journalists and the wider community that always seems to appear when the future of journalism is discussed.

Usually this expressed in terms of those employed by major mastheads sneering at “citizen journalists” but at Hacks and Hackers it was about “geeks and journos coming together.”

In reality there is no divide – good analytic and technology skills should be as much a part of journalism as any other field in a modern economy.

The fear from the Sydney Hacks and Hackers night is that the media industry is one of the sectors that’s failing to deal with technological change.

It’s hard not to think that journalists wondering at the power of spreadsheets and pivot tables is like 18th Century blacksmiths trying to figure out how steam engines can make better horseshoes.

For an industry that is so deeply challenged by technological change, it seems the news media is still unprepared for the changes that hit nearly a decade ago.

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Breaking the media camel’s back

Will News Corporation’s split be the end of print media?

Speculation that News Corporation is going to split into two could be the straw that breaks the back of the media industry.

News gathering has always been subsided by other revenues, mainly advertising in newspapers and commercial broadcasting.

Since the rise of the internet, most of that advertising has followed the audience elsewhere and newspapers have only held on because some advertisers are slow to break the business habits of the last 150 years.

Rupert Murdoch’s News Corporation took that subsidisation to another level, with profitable pay TV and movie divisions also subsidising the print operations that allowed Murdoch to reach his position of power.

Should News now split those profitable operations away from the declining print divisions, those in the news media are going to find themselves in an even bigger world of pain as their revenue declines become even more apparent.

We could be seeing the end game for print in News Corporation’s move. The challenge for all of us now is to figure out the journalism model that works in an era where information is a commodity and there’s no guarantees of easy advertising revenue.

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Australia – the Noah’s Ark of business

Cosy duopolies leave the Australian business community exposed to a changing world.

During a week of big business news, the buyout of another boutique brewery by a big corporation was barely noticed, but Lion Nathan’s takeover of the Little Creatures brewery illustrates the duopoly problem that is crippling Australian business.

A few days after that deal was announced, rumours that Business Spectator – which the above link takes you to – would be taken over by News Limited started circulating. These turned out to be true.

In both cases, existing duopoly players bought out small competitors, a process that’s been going on since Australia decided industry duopolies were necessary to protect the nation’s managerial classes, and these takeovers kill genuine innovation and stymie new thinking.

For those duopolies the definition of success is grabbing a few percent of market share off each other while using their market powers to screw down supplier costs.

A good of example of this is the retail duopoly, the farmers and producers get screwed while the supermarket chains engage in price wars driven by truly awful advertising campaigns.

Un-imaginative, un-original and plain un-inspiring. Any smart young kid wanting to get ahead in the retail industries knows they have to look overseas for job opportunities or inspiration.

Therein lies the real problem with Australia’s duopoly business culture – it triggers a brain drain as comfortable managements block any innovative new thinking as being too hard or just unnecessary.

In the media duopoly, telecoms analyst Paul Budde illustrated the problem in his account on trying to convince Fairfax of where the media industry was heading in a connected economy.

Fairfax’s management didn’t get it and didn’t care – today they still don’t get but they care deeply as their business model crumbles.

It’s not just future managers that are looking overseas for opportunity, the customers are well.

The duopoly model that evolved in Australia over the last thirty years depended upon the tyranny of distance to act as an effective trade wall. The Internet has demolished that wall for most industries.

Almost every Australian duopoly is living on borrowed time. If, like the proprietors of Business Spectator or Little Creatures, your business plan relies on selling out to a local duopolist then you’d better move quick.

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