Thinking beyond the group

Varied sources of information are essential to avoid stale, group thinking

It’s nice and comfortable living in an echo chamber and we’re all guilty of it one way or another. An example of how insular echo chambers can be are two surveys done by UK company Apollo Research on who UK and US tech writers follow on social media.

The answer was each other, with most tech writers following a common core of twenty in the UK and thirty in the US. Basically the groups are talking to each other which explains how technology stories tend to gain momentum as variations on the same stories feed through the network.

While technology journalists are bad for this, it could be argued their political colleagues are far more guilty of this group think as their working in close quarters makes them even more insular and inward looking. That explains much of the political reporting we see today which often seems divorced from the real world concerns of voters or challenges facing governments.

For all of us, not just journalists, it’s easy to become trapped in our own little echo chambers and find it harder to think outside the pack as the web and platforms like Facebook deliver us the information we and our friends find confirms our own biases.

Clearly, thinking with the pack creates a  lot of risks and for businesses also raises opportunities. At a time of fast moving technology and falling barriers to entry, thinking outside the prevailing group could even be a good survival strategy.

A good example of industry group think is the US motor industry of the 1970s where they dismissed Japanese competitors as being cheap and substandard – similar to how many think about China today – yet by the end of the decade Japan’s automakers had captured most of the world’s market.

On a national level, Australia is a good example of dangerous groupthink as up until three years ago the consensus among governments, public servants, economists and business leaders was the China resources boom would last indefinitely.

Today that consensus looks foolish, not that those within the echo chamber are admitting they made the wrong call, and now governments are struggling to find new revenue streams as the expected rivers of iron ore and coal royalties fail to arrive.

For Australian businesses, governments looking to raise revenues are another factor to plan for and getting one’s tax return and company paperwork in on time might be a good idea to avoid fines from overzealous public servants.

The bigger lesson for us all however is not to think like the group. While it may feel safe in the herd, we could well be galloping over a cliff.

One simple way to avoid groupthink, and that cliff, is not to copy the tech writers or the Australian economic experts who mis-called the China Boom. With the web and social media we can listen to what other voices are saying, most importantly those of our markets and customers.

A varied information diet is something we all need t0 understand what our markets, economies and communities are doing. It might be comfortable huddling down with the herd, but you’ll never stand out from the pack.

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Getting off the content hamster wheel

The bulk publishing model starts to fade and media companies’ focus returns to quality

We may have reached Peak Content suggests Kevin Anderson in The Media Briefing as media companies, social media services and sharing platforms flood the world with information, rendering a lot of what’s being produced by media companies effectively worthless.

For publishers trying to make money from advertising this has been the reality for the last decade as the market has been spread thinner as thousands of new channels have developed and the established players have doubled down on their efforts to churn out content.

To illustrate the content explosion Anderson cites Columbia Journalism Review’s 2010 feature The Hamster Wheel where Dean Starkman described the effect of media outlets’ focus on churning out content with a description of the Wall Street Journal’s output.

“According to a CJR tally using the Factiva database owned by the paper’s parent, News Corp., the Journal’s staff a decade or so ago produced stories at a rate of about 22,000 a year, all while doing epic, and shareholder-value-creating, work, like bringing the tobacco industry to heel. This year, theJournal staff produced almost as many stories—21,000—in the first six months.”

While that was bad enough new players were pumping even more content onto the interwebs as Anderson points out, in 2013 the Huffington Post put out 1,600 pieces a day from its 550 staffers and an uncounted army of unpaid bloggers.

The vast bulk of what is being put out is trash, in Huffington Post’s case well web optimised garbage, that adds no value to readers and is only attracting fractions of a penny per article. The model, as both Anderson and Starkman point out, is broken and no-0ne is paying much attention any more.

Fixing the broken attention model is what online travel site Skift are exploring as they rationalise their operations to focus on delivering more relevant content to their audience.

Skift’s co-founder Rafat Ali described how the company refocused on its core purpose of informing travel industry professionals about their sector and stopped regurgitating syndicated stories and those of less value.

We gave up chasing scale. We took out *all* goals on traffic on the site, for everyone. We could do this because we didn’t have tons of outside money pumping through our veins, and this was a useless pressure we created for ourselves in an effort to show the illusion of growth to investors. And since we weren’t chasing investors, we didn’t need to chase what they would consider scale. It was a vanity metric.

We cut back on spending any money on getting users through Outbrain/Facebook/Twitter. We cut back on the number of stories we were doing on a daily basis, on chasing the tail on disposable news stories. We also cut back on syndicating our stories — in which we put in a lot of effort at the start, publishing on NBC News, CNN, Quartz, Fox News, Business Insider, Mashable and many others, to zero effect on our revenues — and also cut back on publishing useless filler syndicated stories we got from a third party syndication service.

Chasing those ‘vanity metrics’ was killing Skift, just as it is for most of the publishing industry in the views of Starkman and Anderson.

While we’re still some way off finding the model that works for online publishing, Skift’s stripping back to the basics seems to be an important step in finding what’s profitable.

The biggest problem though facing the publishing industry is convincing consumers, or advertisers, of the value they are adding in a world of almost unlimited information. This is a challenge that many industries are going to face.

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Social Media’s celebrity obsession

A constant with social media companies is their fascination with celebrities. This hurts their credibility.

A constant with social media companies is their fascination with celebrities. At the first opportunity they’ll trash their credibility and burn their credibility with users to curry favour with a b-list celebrity.

The most damaging example of this was Google making an exception of its ‘real names’ policy for celebrity Google+ accounts. In making an exception for pop stars, the company destroyed any argument it had for insisting users had to use their birth names in order to use their service.

In their quest to be relevant Twitter’s management has consistently made itself look like a simpering bunch of star struck groupies in pandering to celebrities. Which they’ve done one again with their Moments service as Josh Dickson point out.

Probably one of the worst examples though is the story of Andrés Iniesta and his Instagram account.

One morning last week Iniesta found his Instagram account had been suspended for breaching the ‘terms of use.’

Iniesta was baffled and couldn’t find how he’s breached the terms, three times he tried to reach out to Instagram and was ignored. In the meantime his Instagram account started posting pictures of his namesake, a Spanish soccer star.

Only after posting his story on Medium did Iniesta get a response – and an apology – from Instagram’s PR people.

It turned out the only breach Iniesta had committed was to be born with the same name as a FC Barcelona star.

Despite having not actually breached Instagram’s terms and conditions, Iniesta had his account taken with no notice and certainly no process.

For the thousands of ‘social media influencers’ and the brands trying to use these service as channels to connect to a fragmented audience Instagram’s actions are a reminder that all their efforts are built on sand – years of work can be wiped out at the whim of a faceless and unaccountable bureaucrat.

Ultimately it’s the social media services who lose the most from their high handed treatment of their users, as it becomes apparent to both advertisers and ordinary account holders that everything they post is impermanent then the trust in the service is gone.

The greatest hypocrites in today’s business world are the social media services – Twitter, Facebook and a host of others which want you to share your intimate details with them for their own commercial use.

As Andrés Iniesta found, the social media service’s commitment to openness and transparency vanishes the moment a user has a problem.

For celebrities, or those well-connected, no such problems exist. One instant message or phone call to their contact within Facebook, Twitter or Google and the problem is fixed.

Ultimately though that insider game and obsession with celebrity will undo the social media services. For the moment though, all their pretences of being identity services or journals of records should be taken with a lot of scepticism.

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They won’t respect you in the morning

Social media influencer programs are challenging the ethics and pockets of PR and bloggers

So after five years about posting about food, travel, tech, fashion or reverse cycle widgets you’ve being listed by Forbes Magazine as one of the most influential voices in the field.

Now every morning in your inbox is another pitch from an agency offering you freebies and access in return for posting about their clients products, some are great while others are strange.

Welcome to the world of Influencer Programs, a strange hybrid bought about by rise of social media and the collapse of printed news. As overwhelmed salaried journalists at established media outlets have less time to deal with hundreds of PR people desperately trying to get their attention, those with decent social media followings start to look attractive.

The influencer theory

A key part of the PRs strategy in engaging with social media outlets are the influencer programs, where the agencies trawl Instagram, Facebook, Twitter and the other services to find those with large followings and then try to induce them into promoting their clients’ products.

These influencer programs are not anything new, while today we associate them with Kim Kardashian and Will.I.Am, in the 18th  Century Josiah Wedgwood publicised his sales to the royal courts of Europe to generate sales for his earthenware and a hundred years later Mark Twain endorsed cigars in journals across America.

So congratulations on being the modern Mark Twain, now you have to decide if you want to play with Fat Fee Media and be part of their influencer programs.

The land of the free

Most of the time the initial approach from the nice folks at Fat Fee will try to get you to work for free in exchange for a shiny laptop, a free feed or even an overseas trip to The World Reverse Cycle Widgets conference.

That might work for you, if you have a full time job and the food blog or fashion Instagram feed is a hobby then this exactly what the influencer programs were originally designed around although there might be some quirks there

Should the blog be a business, or you take the distinctly unfashionable attitude that your time as a creative content creator is actually worth something that Fat Fee Media should pay for, then things get messy.

People die of exposure

The first response for payment from the nice folk at Fat Fee Media is that working with their client will be wonderful exposure for you.

In some respects this is probably true, however the reason Fat Fee Media has come to you is because their clients need exposure more than you do. Just the fact you’ve been listed as an ‘influencer’ shows you have credibility on the interwebs.

One of the traps many of us with consulting businesses on the side is the belief that doing a favour for BigCorp will open future paid opportunities. Sadly, the truth is somewhat different.

Pay the writer

“It’s the amateurs who make it tough for the professionals” says Harlen Ellison in his wonderful Pay The Writer rant. “By what logic do you call me and ask me to work for nothing.”

Ellison’s point is well made and those working for free are marked down as amateurs by the large agencies. Be under no illusion, when the paid consulting, speaking or writing gigs become available, the folks giving away stuff for free on the influencer programs won’t be getting them.

The world of control freaks

Another aspect of the influencer program world is the sheer control freakery. The gold standard for this was Samsung’s infamous Mob!lers Program where the South Korean company threatened to strand a group of Indian bloggers in Berlin if they didn’t act as unpaid company spruikers.

While Samsung’s behaviour was extreme, it’s by no means unusual. It’s common in these programs’ agreements to have ‘exclusivity’ or ‘no disparagement’ clauses.

The exclusivity clauses are particularly pernicious because they limit the scope of your writing and could even lock you out of future paid work in the industry you cover.

Controlling the copy

Another weird, but common, part of the PR control freakery in influencer programs is the determination to vet everything so only Nice Things are said about their clients.

This never ends well as the agency and its client spend the next six weeks rewriting your work. Inevitably the results look like something published in the Ministry of Public Works house newsletter.

Even if your blog or Instagram feed is just a hobby resist any request from agencies to pre-vet your copy. If they insist, send them your advertising rate card and tell them to hire a copywriter.

You can’t say bad things

The ‘non-disparagement’ clauses are equally pernicious. One of the curiosities of the social media world is that corporates are horribly risk averse.

As a consequence they don’t want the possibility of bloggers or the Twitterati saying nasty things about them and the non-disparagement clause becomes part of almost any agreement.

These clauses are usually far ranging, not only do they stipulate a blogger can’t say something less than glowing in a post but they also restrict any social media commentary on that business.

A recent agreement I was presented on behalf of one of the world’s biggest banks required me to say I wouldn’t say anything nasty about them. This is a curious way of shutting people up but one can’t blame them if it can be done cheaply for the cost of a meal or conference invite.

Happy shiny people

Ultimately the social media and digital media worlds are about happy and shiny. Given they are largely controlled by large corporations, this isn’t surprising and much of the attitude that you shouldn’t say bad things online comes down to how food, fashion and travel bloggers have regurgitated nice things rather than been genuine critics.

To be fair to the new breed of online writers, the dumbing down of travel and food writing was well underway in the mainstream media before the arrival of the internet. One could argue that mastheads devaluing their brand with puff pieces was one of the reasons alternative online media, particularly in food blogging, became so successful so fast.

A broken model

In truth, the whole social media engagement industry is broken, it depends on poor measurements and old school marketers applying 1960s Mad Men broadcasting methods to an industry that’s diffuse and diverse.

Over time, new more effective models will develop but the for the moment this is the way business is done as we wait for the new David Sarnoff.

Ultimately for influencers the question is whether you’ll keep your own respect and that of your audience. Just don’t expect the corporates and their agencies to respect you in the morning.

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Goodbye to the media buyers long lunch

Big data and analytics are changing roles in the media industry, managers in other sectors should worry about the changes.

Yesterday Decoding The New Economy posted an interview with Michael Rubenstein of AppNexus about the world of programmatic advertising and being part of a rapidly growing startup.

The whole concept of programmatic advertising is a good example of a business, and a set of jobs, being disrupted.

Media buying has been a cushy job for a generation of well fed advertising executives. David Sarnoff’s invention of the broadcast media model in the 1930s meant salespeople and brokers were needed to fill the constant supply of advertising spots.

Today the rise of the internet has disrupted the once safe world of broadcast media where incumbents were protected by government licenses and now the long lunching media buyers are finding their own jobs are being displaced by algorithms like those of AppNexus.

A thought worth dwelling on though is that media buyers are part of a wider group of white collar roles being disrupted by technology – the same Big Data algorithms driving AppNexus and other services is also being used to write and select news stories and increasingly we’ll see executive decisions being made by computers.

It’s highly likely the biggest casualties of the current data analytics driven wave won’t be truck drivers, shelf pickers or baristas but managers. The promise of a flat organisation may be coming sooner than many middle managers – and salespeople – think.

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Business in an age of data abundance

The economics of cheap data change industries the same way abundant energy defined the Twentieth Century

I’m preparing a corporate talk for next week on the changing economy and one theme that sticks out is how the Twentieth Century was defined by cheap energy and physical mobility as mains electricity and the internal combustion engine became ubiquitous and affordable.

The picture accompanying this post illustrates that shift, Sydney’s Circular Quay a hundred years ago was just at the beginning of the automobile era. The previous fifty years had bought trams, the telegraph and reliable shipping but the great strides of the Twentieth Century were still to happen.

At that stage the steam engine and advances in electrical transmission had bought reliable power to the masses, although it was still expensive. What was to come over the next fifty years was that energy was about to become cheap and abundant. That drove the suburbanisation of western societies and the development of industries around the availability of cheap power and a mobile workforce.

At the time though information was still expensive, the control of broadcast networks by a few license holders and print operations by those who could afford the massive costs of producing and distributing magazines or newspapers made data difficult to get and worth paying for.

Today we’re at the start of a similar shift in information; it’s no longer expensive or difficult to obtain.

What that means for the next thirty years is what industries will develop in an economy where information is basically free and ubiquitous. Just as cheap energy created the consumerist economy, we’re going to see a very different environment in an age of cheap data.

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Netflix and the global entertainment network

Netflix’s move into China is part of a global shift in broadcast televison

Streaming video service Netflix is looking to launch in China reports Bloomberg Business.

The Chinese joint venture to be run with Wasu, a company backed by Alibaba founder Jack Ma, looks to increase Netflix’s global footprint.

Netflix plans “to be nearly global by the end of 2016,” the article quotes a company spokesperson answering questions about a possible China partnership.

The Netflix model is a major departure from the established broadcast television and movie business where studios and producers would enter distribution agreements with local TV stations and theatre chains.

With Netflix and the streaming model, the licensing of rights to local outlets becomes largely irrelevant with the producers – which increasingly includes Netflix itself – able to cut out the local licensees.

A similar thing is happening in sports, one of the mainstays of broadcast television, where the professional leagues are taking control of their own content and leaving the networks, at best, minor players.

Neflix’s move is part of a shift that’s affecting many industries, including those like broadcast television that thought they were untouchable.

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